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	<title>Ginny Dougary :: Award-winning journalist and writer &#187; Theatre</title>
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	<link>http://www.ginnydougary.co.uk</link>
	<description>Politics, celebrities, interviews, opinions, travel, and more...</description>
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		<title>Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit</title>
		<link>http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/</link>
		<comments>http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 17:15:22 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[andrew lloyd webber]]></category>
		<category><![CDATA[musical theatre]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[phantom of the opera]]></category>
		<category><![CDATA[west end]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=298</guid>
		<description><![CDATA[The Times February 13, 2010
- Ginny Dougary

<a href="http://www.ginnydougary.co.uk/wp-content/uploads/2010/02/webber.jpg"><img src="http://www.ginnydougary.co.uk/wp-content/uploads/2010/02/webber.jpg" alt="webber" title="webber" width="185" height="360" class="floatright" /></a> 

As a sequel to the Phantom opens, he talks about his new ‘almost cool’ status, his father’s roving eye — and the joy of a dirty joke

Andrew Lloyd Webber has his kind face on and is looking straight into my eyes as I sing: “Your looks are laughable, unphoto-graphable, but you’re my favourite work of art . . .” 

No, alas, I am not the new Dorothy and this attempt at My Funny Valentine, in the back of a black cab, is the closest I could get to being auditioned by His Lordship. “Mmmm,” he murmurs, tactfully, “it’s rather nice, actually.”


Related posts:<ol><li><a href='http://www.ginnydougary.co.uk/2005/10/01/david-blunkett-the-musical/' rel='bookmark' title='Permanent Link: David Blunkett: The Musical'>David Blunkett: The Musical</a></li>
<li><a href='http://www.ginnydougary.co.uk/2008/05/19/music-food-of-hove-ginny-dougary-prepares-some-shockingly-filthy-numbers/' rel='bookmark' title='Permanent Link: Music, food of Hove: Ginny Dougary prepares some shockingly filthy numbers'>Music, food of Hove: Ginny Dougary prepares some shockingly filthy numbers</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/05/25/how-do-you-pen-a-song-for-the-brighton-festival-fringe/' rel='bookmark' title='Permanent Link: How do you pen a song for the Brighton Festival Fringe?'>How do you pen a song for the Brighton Festival Fringe?</a></li>
</ol>]]></description>
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		</item>
		<item>
		<title>The many lives of Rebecca Miller</title>
		<link>http://www.ginnydougary.co.uk/2009/07/16/the-many-lives-of-rebecca-miller/</link>
		<comments>http://www.ginnydougary.co.uk/2009/07/16/the-many-lives-of-rebecca-miller/#comments</comments>
		<pubDate>Thu, 16 Jul 2009 15:13:29 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Women]]></category>
		<category><![CDATA[Writers]]></category>
		<category><![CDATA[arthur miller]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=209</guid>
		<description><![CDATA[The Times July 4, 2009
- Ginny Dougary

Daughter of Arthur Miller, wife of Daniel Day-Lewis... It would have been easy for Rebecca Miller to be overwhelmed by the male presences in her life. Here she talks about how she found her own creative voice, and explains why her stories are filled with echoes of the family and relationships that have shaped her

<img src="http://www.ginnydougary.co.uk/wp-content/uploads/2009/07/miller185x295_582461a.gif" alt="Rebecca Miller" title="Rebecca Miller" class="floatright" />
<em>Photo: Mark Harrison</em>

About five minutes into the interview, Rebecca Miller starts to cry. We had been talking about writing, and I read out a line from the end of one of her short stories about different women’s lives which touched me. Louisa, a painter who has a complicated relationship with her mother, has come home to lick her wounds after an emotional collapse in New York. The family are around the table and her mother is drinking, as usual, which enrages the daughter, but when she looks up, “Her mother was looking at her with such love that Louisa could hardly bear to see it: it was like looking into the sun.” 


Related posts:<ol><li><a href='http://www.ginnydougary.co.uk/2009/04/04/peter-hall-my-memories-of-harold-pinter-and-samuel-beckett/' rel='bookmark' title='Permanent Link: Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett'>Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett</a></li>
<li><a href='http://www.ginnydougary.co.uk/1992/11/22/oh-what-a-roguish-and-pleasant-slave/' rel='bookmark' title='Permanent Link: Oh, what a roguish and pleasant slave'>Oh, what a roguish and pleasant slave</a></li>
<li><a href='http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/' rel='bookmark' title='Permanent Link: Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit'>Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit</a></li>
</ol>]]></description>
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		</item>
		<item>
		<title>Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett</title>
		<link>http://www.ginnydougary.co.uk/2009/04/04/peter-hall-my-memories-of-harold-pinter-and-samuel-beckett/</link>
		<comments>http://www.ginnydougary.co.uk/2009/04/04/peter-hall-my-memories-of-harold-pinter-and-samuel-beckett/#comments</comments>
		<pubDate>Sat, 04 Apr 2009 13:48:43 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[director]]></category>
		<category><![CDATA[Harold Pinter]]></category>
		<category><![CDATA[Peter Hall]]></category>
		<category><![CDATA[Samuel Beckett]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=182</guid>
		<description><![CDATA[The Times April 04, 2009
- Ginny Dougary


Nudging 80, he's full of memories of his theatrical past, but the great director's love of work - and family - is undimmed

Almost two decades have passed since Peter Hall and I last met. The baby that his fourth wife, Nicky Frei, was expecting then is now a 17-year-old bright spark, Emma, who thrills her father with her scholarship and enthusiasm for theatre, and occasionally appalls him with her use of language. Emma Hall's accolade of “awesome” for a performance of Hamlet by a scion of another notable dynasty, Will Attenborough, made her father blanch. “I said, ‘Don't use that word. I hate ahhhh-soom,'” he drawls, like a septuagenarian valley-girl . 


Related posts:<ol><li><a href='http://www.ginnydougary.co.uk/2009/07/16/the-many-lives-of-rebecca-miller/' rel='bookmark' title='Permanent Link: The many lives of Rebecca Miller'>The many lives of Rebecca Miller</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/03/24/steven-berkoff-angry-man-or-cursed-by-the-past/' rel='bookmark' title='Permanent Link: Steven Berkoff: angry man or cursed by the past?'>Steven Berkoff: angry man or cursed by the past?</a></li>
<li><a href='http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/' rel='bookmark' title='Permanent Link: Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit'>Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit</a></li>
</ol>]]></description>
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		</item>
		<item>
		<title>Steven Berkoff: angry man or cursed by the past?</title>
		<link>http://www.ginnydougary.co.uk/2009/03/24/steven-berkoff-angry-man-or-cursed-by-the-past/</link>
		<comments>http://www.ginnydougary.co.uk/2009/03/24/steven-berkoff-angry-man-or-cursed-by-the-past/#comments</comments>
		<pubDate>Tue, 24 Mar 2009 09:42:51 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[berkoff]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=171</guid>
		<description><![CDATA[The Times March 21, 2009
- Ginny Dougary


Slovenly, ignorant, inept - his attacks on fellow actors are legendary. Does he have a softer side?

<img src="http://www.ginnydougary.co.uk/wp-content/uploads/2009/03/ste-385_506373a.jpg" alt="Steven Berkhoff" title="Steven Berkhoff" />


You definitely don't want to be around Johnny Friendly when he smiles, and the same could be said of Steven Berkoff, who plays the murderous, most unfriendly, union boss in his play of Elia Kazan's classic film On the Waterfront. The acting-directing-writing-theatre-company-founding polymath has his own intimidating form when it comes to interviewers (particularly women) as well as theatre critics, whom he has abused in various ways, with insults, bannings, even a death threat.


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<li><a href='http://www.ginnydougary.co.uk/2005/04/13/david-kimberly-boris-and-petsy-its-showtime/' rel='bookmark' title='Permanent Link: David, Kimberly, Boris and Petsy: it&#8217;s showtime'>David, Kimberly, Boris and Petsy: it&#8217;s showtime</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/04/04/peter-hall-my-memories-of-harold-pinter-and-samuel-beckett/' rel='bookmark' title='Permanent Link: Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett'>Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett</a></li>
</ol>]]></description>
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		<item>
		<title>David Blunkett: The Musical</title>
		<link>http://www.ginnydougary.co.uk/2005/10/01/david-blunkett-the-musical/</link>
		<comments>http://www.ginnydougary.co.uk/2005/10/01/david-blunkett-the-musical/#comments</comments>
		<pubDate>Sat, 01 Oct 2005 21:45:15 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Politicians]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[David Blunkett]]></category>
		<category><![CDATA[labour]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[politics]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=25</guid>
		<description><![CDATA[In 2005, Ginny Dougary wrote the lyrics for a collection of songs about David Blunkett’s life and recent times. These were showcased at the Soho Theatre under the working title of David Blunkett The Musical; a collaboration with the composer MJ Paranzino and producer Martin Witts who was behind the award-winning one-man-play, Hurricane. The actors [...]


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<li><a href='http://www.ginnydougary.co.uk/2009/05/25/who-is-david-cameron/' rel='bookmark' title='Permanent Link: Who is David Cameron?'>Who is David Cameron?</a></li>
<li><a href='http://www.ginnydougary.co.uk/2006/07/05/happy-days/' rel='bookmark' title='Permanent Link: Happy days'>Happy days</a></li>
</ol>]]></description>
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		<title>David, Kimberly, Boris and Petsy: it&#8217;s showtime</title>
		<link>http://www.ginnydougary.co.uk/2005/04/13/david-kimberly-boris-and-petsy-its-showtime/</link>
		<comments>http://www.ginnydougary.co.uk/2005/04/13/david-kimberly-boris-and-petsy-its-showtime/#comments</comments>
		<pubDate>Wed, 13 Apr 2005 15:57:03 +0000</pubDate>
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		<description><![CDATA[THE TIMES - April 13, 2005
Ginny Dougary

The lyricist for David Blunkett: The Musical, reveals how the show was inspired and explains why the real-life characters are perfect for the stage.



Related posts:<ol><li><a href='http://www.ginnydougary.co.uk/2005/10/01/david-blunkett-the-musical/' rel='bookmark' title='Permanent Link: David Blunkett: The Musical'>David Blunkett: The Musical</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/05/25/who-is-david-cameron/' rel='bookmark' title='Permanent Link: Who is David Cameron?'>Who is David Cameron?</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/05/25/david-hockney-on-why-iphones-are-the-future-for-art/' rel='bookmark' title='Permanent Link: David Hockney on why iPhones are the future for art'>David Hockney on why iPhones are the future for art</a></li>
</ol>]]></description>
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		</item>
		<item>
		<title>Out of the shadows</title>
		<link>http://www.ginnydougary.co.uk/2002/01/28/out-of-the-shadows/</link>
		<comments>http://www.ginnydougary.co.uk/2002/01/28/out-of-the-shadows/#comments</comments>
		<pubDate>Mon, 28 Jan 2002 20:45:20 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Richard Eyre]]></category>

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		<description><![CDATA[THE TIMES MAGAZINE - January 28 2002
<em>Ginny Dougary</em>

Richard Eyre found the making of his first big film about Iris Murdoch a form of therapy, a way of coming to terms with his own parents life and death There is little in Sir Richard Eyre’s person or habitat to suggest a troubled soul beset by fundamental uncertainties. Indeed, if he hadn’t chosen to expose his inner conflict in a memoir which has been described as a minor classic — Utopia and Other Places — it is doubtful whether anyone would still be asking him the questions he attempted to answer for himself so eloquently nine years ago.


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<li><a href='http://www.ginnydougary.co.uk/2009/07/16/the-many-lives-of-rebecca-miller/' rel='bookmark' title='Permanent Link: The many lives of Rebecca Miller'>The many lives of Rebecca Miller</a></li>
<li><a href='http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/' rel='bookmark' title='Permanent Link: Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit'>Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit</a></li>
</ol>]]></description>
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		</item>
		<item>
		<title>Oh, what a roguish and pleasant slave</title>
		<link>http://www.ginnydougary.co.uk/1992/11/22/oh-what-a-roguish-and-pleasant-slave/</link>
		<comments>http://www.ginnydougary.co.uk/1992/11/22/oh-what-a-roguish-and-pleasant-slave/#comments</comments>
		<pubDate>Sun, 22 Nov 1992 19:57:28 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[Kenneth Branagh]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=11</guid>
		<description><![CDATA[LONDON TIMES - November 22 1992
<em>Ginny Dougary</em>

Kenneth Branagh appears to think he is in a comedy sketch in which the interviewer is cast as the fall guy. Our question and answer routine is like something scripted by Peter Cook and Dudley Moore. All the punch lines hinge on the same word. ''Isn't it stressful'', I ask, ''directing the woman you live with?'' ''Well, as Hamlet would say...'' ''Can you only achieve public success at the cost of private happiness?'' ''You know what really fascinates me about Hamlet is...'' ''Do you take part in the showbiz circuit?'' ''I'm no good at small talk. Playing Hamlet reminds you of how precious life is.'' Is he taking the mickey or what?


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<li><a href='http://www.ginnydougary.co.uk/2009/04/04/peter-hall-my-memories-of-harold-pinter-and-samuel-beckett/' rel='bookmark' title='Permanent Link: Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett'>Peter Hall &#8211; my memories of Harold Pinter and Samuel Beckett</a></li>
<li><a href='http://www.ginnydougary.co.uk/2008/04/07/a-close-encounter-with-george-clooney/' rel='bookmark' title='Permanent Link: A close encounter with George Clooney'>A close encounter with George Clooney</a></li>
</ol>]]></description>
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