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	<title>Ginny Dougary :: Award-winning journalist and writer &#187; Music</title>
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	<description>Politics, celebrities, interviews, opinions, travel, and more...</description>
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		<title>Leonard Bernstein: ‘charismatic, pompous &#8211; and a great father&#8217;</title>
		<link>http://www.ginnydougary.co.uk/2010/03/16/leonard-bernstein-%e2%80%98charismatic-pompous-and-a-great-father/</link>
		<comments>http://www.ginnydougary.co.uk/2010/03/16/leonard-bernstein-%e2%80%98charismatic-pompous-and-a-great-father/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 08:42:14 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>

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		<description><![CDATA[The Times March 13, 2010
- Ginny Dougary

His daughter Nina tells Ginny Dougary about the joys and traumas of life with one of music’s greats 

<a href="http://www.ginnydougary.co.uk/wp-content/uploads/2010/03/bernstein.jpg"><img src="http://www.ginnydougary.co.uk/wp-content/uploads/2010/03/bernstein.jpg" alt="bernstein" title="bernstein" width="385" height="185" class="" /></a>

Had you been fortunate enough to be in the company of the most charismatic American conductor-composer- teacher-broadcaster of all time for long enough, it is likely that you would have heard this explosion at regular intervals in living rooms and auditoriums across the world: “That’s STEIN!” whenever someone affronted the late, great Leonard Bernstein by introducing him incorrectly as “BernSTEEN.” 

His youngest child, Nina, now 48, is talking to me about her father, whose life and art is being celebrated all year at the Southbank Centre. It’s a tantalising and illuminating process attempting to channel such an exuberantly talented man through the women who were close to him (I also speak to Marin Alsop, the conductor, who was his protégée) but ultimately frustrating since everything you hear — good and bad — just makes you wish, even more, that you had met him. 


Related posts:<ol><li><a href='http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/' rel='bookmark' title='Permanent Link: Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit'>Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/08/12/goldies-bittersweet-proms-symphony/' rel='bookmark' title='Permanent Link: Goldie&#8217;s Bittersweet Proms Symphony'>Goldie&#8217;s Bittersweet Proms Symphony</a></li>
<li><a href='http://www.ginnydougary.co.uk/2007/04/28/a-song-for-everyone/' rel='bookmark' title='Permanent Link: A song for everyone'>A song for everyone</a></li>
</ol>]]></description>
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		<item>
		<title>Even Lloyd Webber isn’t sure why Phantom of the Opera is his biggest hit</title>
		<link>http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/</link>
		<comments>http://www.ginnydougary.co.uk/2010/02/21/even-lloyd-webber-isn%e2%80%99t-sure-why-phantom-of-the-opera-is-his-biggest-hit/#comments</comments>
		<pubDate>Sun, 21 Feb 2010 17:15:22 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[andrew lloyd webber]]></category>
		<category><![CDATA[musical theatre]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[phantom of the opera]]></category>
		<category><![CDATA[west end]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=298</guid>
		<description><![CDATA[The Times February 13, 2010
- Ginny Dougary

<a href="http://www.ginnydougary.co.uk/wp-content/uploads/2010/02/webber.jpg"><img src="http://www.ginnydougary.co.uk/wp-content/uploads/2010/02/webber.jpg" alt="webber" title="webber" width="185" height="360" class="floatright" /></a> 

As a sequel to the Phantom opens, he talks about his new ‘almost cool’ status, his father’s roving eye — and the joy of a dirty joke

Andrew Lloyd Webber has his kind face on and is looking straight into my eyes as I sing: “Your looks are laughable, unphoto-graphable, but you’re my favourite work of art . . .” 

No, alas, I am not the new Dorothy and this attempt at My Funny Valentine, in the back of a black cab, is the closest I could get to being auditioned by His Lordship. “Mmmm,” he murmurs, tactfully, “it’s rather nice, actually.”


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<li><a href='http://www.ginnydougary.co.uk/2008/05/19/music-food-of-hove-ginny-dougary-prepares-some-shockingly-filthy-numbers/' rel='bookmark' title='Permanent Link: Music, food of Hove: Ginny Dougary prepares some shockingly filthy numbers'>Music, food of Hove: Ginny Dougary prepares some shockingly filthy numbers</a></li>
<li><a href='http://www.ginnydougary.co.uk/2009/05/25/how-do-you-pen-a-song-for-the-brighton-festival-fringe/' rel='bookmark' title='Permanent Link: How do you pen a song for the Brighton Festival Fringe?'>How do you pen a song for the Brighton Festival Fringe?</a></li>
</ol>]]></description>
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		<item>
		<title>Mitch Winehouse on the torment of Amy&#8217;s self-destruction</title>
		<link>http://www.ginnydougary.co.uk/2009/12/20/mitch-winehouse-on-the-torment-of-amys-self-destruction/</link>
		<comments>http://www.ginnydougary.co.uk/2009/12/20/mitch-winehouse-on-the-torment-of-amys-self-destruction/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 10:07:38 +0000</pubDate>
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				<category><![CDATA[Celebrities]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[amy winehouse]]></category>
		<category><![CDATA[Celebrity]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=259</guid>
		<description><![CDATA[The Times December 19, 2009
- Ginny Dougary

What must it be like to watch your child’s life spiral into drug-addicted chaos, reported daily by a rapacious press? Mitch Winehouse on the torment of Amy’s self-destruction, its impact on the Winehouse clan, and why he believes she’s finally getting better

<em>Photo - Phil Fisk</em>

<img src="http://www.ginnydougary.co.uk/wp-content/uploads/2009/12/mitch_winehouse.gif" alt="mitch winehouse" title="mitch winehouse" width="185" height="295" class="floatright" />

So, let’s get the great big elephant out of the room straightaway. Is there something a bit iffy about the way Mitch Winehouse appears to be making a career on the back of his daughter’s demons? What career, you might ask. Well, there are at least two documentaries in the pipeline in which he features large as day, as well as Mitch Winehouse’s Showbiz Rant, an online TV series that films him in his cab sounding off to various celebrity-lite passengers (David Hasselhoff; someone called Shaggy, who was told to take his feet off the seat) – “And don’t get me started on that Lady Gaga…” and so on – and now he’s even recording an album of his own, Rush of Love, due to be released in spring. 

Isn’t it a bit weird, I ask him, since he would never have got an album out if… “Never. Not in a million years,” he jumps in. “Course not. I mean, I’m not an idiot. I know that I got the album ’cos I’m Amy’s dad.” 


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<li><a href='http://www.ginnydougary.co.uk/2006/03/09/who-wants-to-be-good/' rel='bookmark' title='Permanent Link: Who wants to be good?'>Who wants to be good?</a></li>
<li><a href='http://www.ginnydougary.co.uk/2007/08/21/rock%e2%80%99s-stepford-wife/' rel='bookmark' title='Permanent Link: Rock’s Stepford wife'>Rock’s Stepford wife</a></li>
</ol>]]></description>
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		<title>Goldie&#8217;s Bittersweet Proms Symphony</title>
		<link>http://www.ginnydougary.co.uk/2009/08/12/goldies-bittersweet-proms-symphony/</link>
		<comments>http://www.ginnydougary.co.uk/2009/08/12/goldies-bittersweet-proms-symphony/#comments</comments>
		<pubDate>Wed, 12 Aug 2009 10:30:32 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[drums and bass]]></category>
		<category><![CDATA[Goldie]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=223</guid>
		<description><![CDATA[The Times July 18, 2009
- Ginny Dougary

Raised amid violence, fostered at the age of 3, addicted to cocaine... Goldie has had his fair share of demons. Which makes it all the more extraordinary that, in his forties, the drum’n’bass pioneer enthralled the nation as he took up the baton in Maestro, the television conducting competition. As he prepares to unveil his first classical composition at the Proms, he talks to Ginny Dougary

<img src="http://www.ginnydougary.co.uk/wp-content/uploads/2009/08/goldie1.gif" alt="goldie" title="goldie" class="floatright" />
<em>Photo: Jude Edginton</em>

Goldie is the very model of concentration, his wide topaz eyes taking everything in. There’s a massive thunderclap of drums rolling, followed by a spooky whispering, hissing sound from the 70-odd sopranos and altos of the London Philharmonic Choir, the basses come in, quietly at first, their voices gradually swelling to another crescendo, a banging of a metal sheet, the BBC Concert Orchestra builds as one, as the whole choir sings out in full majestic force… and then silence, followed by applause. 

The drum’n’bass pioneer, who experienced the harshest start in life, has just heard his first orchestral piece, which will have its world premiere at this year’s Proms. Sine Tempore (Without Time) – only seven minutes, but each one a thrill – is his response to the concert’s theme, evolution; not one big bang but a series of explosions heralding the birth and growth of new life. Just before the orchestra started up, he and his Maestro mentor, Ivor Setterfield, gave each other a quick hug. It was hard to tell from their expressions which of the two men was more excited – and apprehensive. 


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<li><a href='http://www.ginnydougary.co.uk/2007/04/28/a-song-for-everyone/' rel='bookmark' title='Permanent Link: A song for everyone'>A song for everyone</a></li>
</ol>]]></description>
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		<item>
		<title>A hip-hop tour of New York&#8217;s Harlem</title>
		<link>http://www.ginnydougary.co.uk/2009/05/25/a-hip-hop-tour-of-new-yorks-harlem/</link>
		<comments>http://www.ginnydougary.co.uk/2009/05/25/a-hip-hop-tour-of-new-yorks-harlem/#comments</comments>
		<pubDate>Mon, 25 May 2009 20:15:31 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Travel & Adventure]]></category>
		<category><![CDATA[Harlem]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=192</guid>
		<description><![CDATA[The Times May 23, 2009
- Ginny Dougary

Ginny Dougary and teenage sons take a guided tour of Harlem and the Bronx to find the roots of hip-hop

<img src="http://www.ginnydougary.co.uk/wp-content/uploads/2009/05/ginnywof.jpg" alt="ginny and sons at the wall of fame" title="ginny and sons at the wall of fame"  />

So there I am with my solid crew, two teenage sons and me in Kangol berets, dripping in bling, on loan from our hosts Grandmaster Caz and Reggie Reg, the grandaddies of hip-hop, manoeuvring our way through Harlem and the Bronx in a tour bus rapping to “It’s like a jungle sometimes, it makes me wonder how I keep from going under”. 

What a great way to start a family holiday in New York. Caz (short for Casanova) is an A* teacher; no slacking permitted as he fires out questions, checks whether his pupils have been listening, points out places of interest — where such and such a gangsta rapper was shot dead (“We always pause here to pay a little love . . . a little respect”) — and lists the four cornerstones of hip-hop culture: the DJ, the MC, breakdancing and graffiti. And then there’s the clothes. 


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</ol>]]></description>
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		<title>How do you pen a song for the Brighton Festival Fringe?</title>
		<link>http://www.ginnydougary.co.uk/2009/05/25/how-do-you-pen-a-song-for-the-brighton-festival-fringe/</link>
		<comments>http://www.ginnydougary.co.uk/2009/05/25/how-do-you-pen-a-song-for-the-brighton-festival-fringe/#comments</comments>
		<pubDate>Mon, 25 May 2009 20:09:25 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[brighton fringe festival]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=190</guid>
		<description><![CDATA[The Times May 16, 2009
- Ginny Dougary
 
It’s taken a year, but Ginny Dougary’s latest song is about to be unveiled in public. It’s been a steep learning curve

This time next week, 150 singers will be on a stage crooning a song that has taken a year to write. Why has the gestation period been so extended? Is it because the piece is unbelievably long and complex? Or that the lyrics came from some deeply angst-ridden place? Could it be the case, as Nick Cave once told me, that: “In order to write a worthwhile love song, it needs to have within it the potential for pain or an understanding of the pain of whatever you’re writing about. I don’t think they allow themselves to be written until I’ve fully experienced what it is I’m writing about. They wait patiently to be finished.” 

The answer is, unfortunately, rather more mundane — the occasionally fraught business of collaboration. As a team, the composer MJ and I are pretty new to this game, with maybe a dozen songs to date, some performed by professional singers and actors but mainly by amateur choirs. 


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</ol>]]></description>
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		<title>Music, food of Hove: Ginny Dougary prepares some shockingly filthy numbers</title>
		<link>http://www.ginnydougary.co.uk/2008/05/19/music-food-of-hove-ginny-dougary-prepares-some-shockingly-filthy-numbers/</link>
		<comments>http://www.ginnydougary.co.uk/2008/05/19/music-food-of-hove-ginny-dougary-prepares-some-shockingly-filthy-numbers/#comments</comments>
		<pubDate>Mon, 19 May 2008 15:17:47 +0000</pubDate>
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				<category><![CDATA[Music]]></category>

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		<description><![CDATA[The Times, May 16, 2008
- Ginny Dougary

Ginny Dougary on the pleasures of writing dirty songs for the Brighton City Singers

Artists, even those who are not fortunate enough to be represented by a gallery, can show their work in art fairs, restaurants and shops. Writers get to see their words in books and magazines. But what of poor composers, many of whom never have the chance to experience their pieces coming to life? 


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</ol>]]></description>
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		<title>Really good snares, Mum; how Shlomo taught my son and me how to beatbox</title>
		<link>http://www.ginnydougary.co.uk/2008/05/14/really-good-snares-mum-how-shlomo-taught-my-son-and-me-how-to-beatbox/</link>
		<comments>http://www.ginnydougary.co.uk/2008/05/14/really-good-snares-mum-how-shlomo-taught-my-son-and-me-how-to-beatbox/#comments</comments>
		<pubDate>Wed, 14 May 2008 08:37:19 +0000</pubDate>
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				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.ginnydougary.co.uk/?p=125</guid>
		<description><![CDATA[The Times, May 14, 2008
- Ginny Dougary

<img src="http://www.ginnydougary.co.uk/wp-content/uploads/2008/05/beat1.jpg" alt="" title="Beatboxing" width="385" height="185"  />

Shlomo, beatboxer extraordinaire, is a courteous, cleancut young man with good teeth. This I know because he bared them repeatedly while demonstrating the basic skills of a percussive vocalist - a lip-smackingly resonant “B-uh”, followed by a wide-grinned “T-uh” and the finale of an open-mouthed primal pout “K-uh” - in a masterclass conducted for the benefit of my 17-year-old son and his mother. 


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</ol>]]></description>
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		<title>Paean of praise to the ginger-ninjas</title>
		<link>http://www.ginnydougary.co.uk/2007/07/20/paean-of-praise-to-the-ginger-ninjas/</link>
		<comments>http://www.ginnydougary.co.uk/2007/07/20/paean-of-praise-to-the-ginger-ninjas/#comments</comments>
		<pubDate>Fri, 20 Jul 2007 12:25:00 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[discrimination]]></category>
		<category><![CDATA[ginger]]></category>
		<category><![CDATA[gingerism]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[red hair]]></category>

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		<description><![CDATA[The Times - June 29 2007
- Ginny Dougary


When Titian-haired Ginny Dougary wrote a choral piece celebrating redheads, it brought home to her how much ‘gingerism’ there is in England


<a href="http://del.interoute.com/?id=6621dd22-4163-4f66-ac13-28387509035d&#038;delivery=download"><em>Click here to listen to Ginger Chorale by Ginny Dougary and MJ Paranzino, performed at the Royal Festival Hall, June 2007</em></a>

<img src='http://www.ginnydougary.co.uk/wp-content/uploads/2007/07/jenny_mcalpine.jpg' alt='Jenny McAlpine' />
<em>Photo courtesy <a href="http://www.redandproud.com/">Red and Proud</a></em>


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</ol>]]></description>
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		</item>
		<item>
		<title>A song for everyone</title>
		<link>http://www.ginnydougary.co.uk/2007/04/28/a-song-for-everyone/</link>
		<comments>http://www.ginnydougary.co.uk/2007/04/28/a-song-for-everyone/#comments</comments>
		<pubDate>Sat, 28 Apr 2007 15:18:48 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Howard Goodall]]></category>

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		<description><![CDATA[The Times - April 28 2007
- Ginny Dougary



<a href="http://www.howardgoodall.co.uk/">Howard Goodall</a> is a man of many passions: from composing the Mr Bean theme to popularising Wagner. He tells Ginny Dougary why singing and squash — but not dancing — are good for the soul

<img src='http://www.ginnydougary.co.uk/wp-content/uploads/2007/07/howard_goodall.jpg' alt='Howard Goodall' />


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</ol>]]></description>
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		</item>
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		<title>Men and singing &#8212; why we need vocal heroes</title>
		<link>http://www.ginnydougary.co.uk/2006/12/23/men-and-singing-why-we-need-vocal-heroes/</link>
		<comments>http://www.ginnydougary.co.uk/2006/12/23/men-and-singing-why-we-need-vocal-heroes/#comments</comments>
		<pubDate>Sat, 23 Dec 2006 21:48:42 +0000</pubDate>
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				<category><![CDATA[General]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[The Times - Body and Soul, December 23 2006
- Ginny Dougary

Many a man can ding dong and hark the herald with the best of them — so why won’t they join choirs?
 
 
’Tis the season to be vocal, tra-la-la-la-la-la-la-la-laaah, when even the most curmudgeonly among you are likely to be coerced into doing a ding dong or harking the herald. But among the host of carol singers or church choirs, in how many will female voices swamp the males? 


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</ol>]]></description>
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		<title>Who wants to be good?</title>
		<link>http://www.ginnydougary.co.uk/2006/03/09/who-wants-to-be-good/</link>
		<comments>http://www.ginnydougary.co.uk/2006/03/09/who-wants-to-be-good/#comments</comments>
		<pubDate>Thu, 09 Mar 2006 13:31:56 +0000</pubDate>
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		<description><![CDATA[THE TIMES - March 9, 2006
<em>Ginny Dougary</em>


30 years after the birth of punk, Malcolm McLaren reveals that his gran invented it — and taught him the virtues of being bad


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		<title>Preacher man</title>
		<link>http://www.ginnydougary.co.uk/2005/06/25/preacher-man/</link>
		<comments>http://www.ginnydougary.co.uk/2005/06/25/preacher-man/#comments</comments>
		<pubDate>Sat, 25 Jun 2005 20:08:09 +0000</pubDate>
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		<description><![CDATA[THE TIMES MAGAZINE - June 25 2005
<em>Ginny Dougary</em>

For 20 years, Bob Geldof has raged, hectored and charmed to get what he wants: hope for Africa. but even superheroes have their flaws, as Ginny Dougary discovers in a stormy encounter.
 
Just how much of a bully do you have to be to pull off something extraordinary? Does it matter if you bruise or upset people along the way and do you even care if you do, when the goal you are striving for is so important? Do you feel outraged to be challenged over issues which you consider to be trivial, unnecessary and possibly obstructive? These are the questions which nagged me after interviewing Sir Bob Geldof. 


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</ol>]]></description>
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		<title>Ginny meets Dolly</title>
		<link>http://www.ginnydougary.co.uk/2002/11/02/ginny-meets-dolly/</link>
		<comments>http://www.ginnydougary.co.uk/2002/11/02/ginny-meets-dolly/#comments</comments>
		<pubDate>Sat, 02 Nov 2002 20:16:33 +0000</pubDate>
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				<category><![CDATA[Celebrities]]></category>
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		<description><![CDATA[THE TIMES MAGAZINE - November 2 2002
<em>Ginny Dougary</em>

Dolly Parton's bosom goes before her.  It is impossible to think of her voice and her songs without conjuring a mental picture of that famous cantilevered shelf which juts so implausibly over her minuscule waist.  Her top-heavy form even enlivened debate in the House of Commons when some years ago Kenneth Clarke chastised Gordon Brown for relying on the "Dolly Parton school of economics — an unbelievable figure blown out of all proportion with no visible means of support." 


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</ol>]]></description>
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		<title>After the wipe out</title>
		<link>http://www.ginnydougary.co.uk/2002/06/01/after-the-wipe-out/</link>
		<comments>http://www.ginnydougary.co.uk/2002/06/01/after-the-wipe-out/#comments</comments>
		<pubDate>Sat, 01 Jun 2002 20:05:08 +0000</pubDate>
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		<category><![CDATA[beach boys]]></category>
		<category><![CDATA[brian wilson]]></category>

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		<description><![CDATA[THE GUARDIAN - June 1 2002
<em>Ginny Dougary</em>

Life has not been fun, fun, fun for Brian Wilson, presiding genius of the Beach Boys and creator of Pet Sounds, one of the very greatest pop albums. He bears the scars of too much acid and too much pressure. But he can still reduce audiences to tears, whatever their age.


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</ol>]]></description>
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		<title>The new romantic &#8211; Interview, Nick Cave</title>
		<link>http://www.ginnydougary.co.uk/1999/03/27/the-new-romantic-interview-nick-cave/</link>
		<comments>http://www.ginnydougary.co.uk/1999/03/27/the-new-romantic-interview-nick-cave/#comments</comments>
		<pubDate>Sat, 27 Mar 1999 11:29:32 +0000</pubDate>
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				<category><![CDATA[Music]]></category>
		<category><![CDATA[Writers]]></category>
		<category><![CDATA[Nick Cave]]></category>
		<category><![CDATA[writer]]></category>

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		<description><![CDATA[THE TIMES - March 27  1999
- Ginny Dougary


Not many rock stars write novels and biblical commentaries or give recitals on love at the Royal Festival Hall. But, with years behind him as the ultimate bad  seed, Nick Cave has never played by the rules. Ginny Dougary meets the man behind his own myth.


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</ol>]]></description>
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